2011 saw the return of Merriment Makers Pop Out Christmas Boutique to Studio 203 Gallery, Edinburgh. This year we were delighted to see some returning contributors as well as some new works. In colaboration with the wonderful Sharon Kirby, we transformed the busy Studio into a shop packed full of artwork and carefully designed andContinue reading “Merriment Makers 2011”
Beautiful insttalation photographs of The Lindstrom Effect’s work in situ at the Broughton Deli, Edinburgh in 2010. Curated by Nicky Brooks
Lindsey Brown’s exhibition flier from 2011. Curated by Nicky Brooks
In 2011, before the design duo relaunched, Tom Pigeon was run by Kirsty Thomas alone and was called Lovely Pigeon. Lovely Pigeon hosted “A Right Royal Pop Up” in anstruther and I was invited to contrubute artwork along with a stash of upcycled ceramics… if memory serves, I helped out in the shop too!
Shelf detail from the Merry Menagerie Christmas exhibition at The Broughton Deli, Edinburgh.
In response to the “Halfway Home” exhibition I curated for The Red Door Gallery back in 2010, the tallented Finch and Foreacre team decided to launch their own customised tenement design. This tartan treasure was limited edition, but you can see their full range here.
The Lindstrom Effect’s stunning exhibition at The Broughton Deli in Edinburgh. Moustached Gent prints and various photography, illustration and crocheted installation filled the space with colour, bold monochrome and humour.
Crochet installation by Vala Jonsdotter from The Lindstrom Effect for the Broughton Deli Art exhibition in 2010. Curated by Nicky Brooks
Broughton Deli Art Exhibition title Self Catering freaturing cabinets of curiosities. This exhibition was shown in 2010. Featuring Julia Douglas. Curated by Nicky Brooks Photography by Andrew JL Ansell
A series of wooden blocks designed by Nicky Brooks and made incolaboration with Sharon Kirby. Based on portraiture of Henry VIII Wives. Part of the Self Catering Exhibition at Broughton Deli Art in 2010. Curated by Nicky Brooks Photography by Andrew JL Ansell